Slippin into darkness
Takes my mind beyond the trees
I was slippin into darkness
Take my mind beyond the trees
Where I talk to my brothers, oh, oh, oh
Who never said their names
Slippin into darkness
All my troubles though i choose
I was slippin' into darkness, yeah
When I heard my mother say
(Hey, what'd she say, what'd she say)
You been slippin into darkness, oh, oh, oh
Pretty soon you're gonna pay
Song Facts -
This song is about trying not to slip off that other side, the deep end. War drummer and founding member Harold Brown explains: "Howard (Scott, War guitarist) was working on some lyrics and he had this concept, thinking of how one could slip into darkness. Your mind could just go on, and you just go off to the left - you have to be careful, you have to say, 'Don't go there.' It's like that wall between sane and insane. We all figure we're sane, and once in a while we look past that wall, our head pops over and we look and we say, 'Here's Johnny.' I always like that. You look over there and you see certain things, and some of us have been known to go over there and stay, and there's some that pop their heads right back. Because that's just right on that borderline of sane, insane, and really close to being a genius.
You get in that moment of creation and you start seeing things different than the way a lot of other people are seeing it. Most of the stuff we're seeing, it's accessible to all of us, but then we go and take these different words or materials. It's how you rearrange it that makes it different and it presents itself. Like a tree. I look at a tree, and I say, Okay I could do a couple of things with that tree. We can let it stay there, it's beautiful, I can cut it down, make firewood, or I can make furniture with it but rearrange it. You have to watch that balance. That's when guys start getting all blown out on drugs and stuff, and become crazy. You find out the people that have the highest amount of creativity, there's a fine line between them being sane and insane. They're the ones I find, guys that are really out there. You got to have a certain way to talk to them, you got to know their moods. You got to know those events, those episodes, when you're dealing with them.
I can think of a few, like our bass player (B.B. Dickerson). He's a brilliant person, the one that sang 'World Is A Ghetto.' He's so in touch. I think he went to Tibet and those places when he was very young, and he started seeing different things and experiencing different cultures and different glimpses of various wisdom. So a lot of time B.B. is very sensitive. I know there's a certain time I can go and give him a hug, and a certain time I know, don't touch. When he's in his certain mood or certain zone, I let him there, because I can go into his world and all of a sudden startle him. That's just amazing. I read a book called Creators On Creating, and they wanted to find out the state of mind of people when they're creating, like the guy that came up with DNA, or Einstein - they've got that fine line. You'll find generally that they're sensitive people. Different things can affect them different ways, so it's a balance you've got to find."
(Happy Big Bang Day!)